Friday, May 29, 2015

New Hair Style

The New Hair Style

"Haircut" redirects here. For other uses, see Haircut (disambiguation)."Hairdo" redirects here. For the Little Birdy song, see Hairdo (song).

hairstylehairdo, or haircut refers to the styling of hair, usually on the human scalp. The fashioning of hair can be considered an aspect of personal groomingfashion, and cosmetics, although practical, cultural, and popular considerations also influence some hairstyles.[1] The oldest known depiction of hair braiding dates back about 30,000 years. In ancient civilizations, women's hair was often elaborately and carefully dressed in special ways. In Imperial Rome, women wore their hair in complicated styles. From the time of the Roman Empire[citation needed] until the Middle Ages, most women grew their hair as long as it would naturally grow. During the Roman Empire as well as in the 16th century in the western world, women began to wear their hair in extremely ornate styles. In the later half of the 15th century and on into the 16th century a very high hairline on the forehead was considered attractive. During the 15th and 16th centuries, European men wore their hair cropped no longer than shoulder-length. In the early 17th century male hairstyles grew longer, with waves or curls being considered desirable.
The male wig was pioneered by King Louis XIII of France (1601–1643) in 1624. Perukes or periwigs for men were introduced into the English-speaking world with other French styles in 1660. Late 17th-century wigs were very long and wavy, but became shorter in the mid-18th century, by which time they were normally white. Short hair for fashionable men was a product of the Neoclassical movement. In the early 19th century the male beard, and also moustaches and sideburns, made a strong reappearance. From the 16th to the 19th century, European women's hair became more visible while their hair coverings grew smaller. In the middle of the 18th century the pouf style developed. During the First World War, women around the world started to shift to shorter hairstyles that were easier to manage. In the early 1950s women's hair was generally curled and worn in a variety of styles and lengths. In the 1960s, many women began to wear their hair in short modern cuts such as the pixie cut, while in the 1970s, hair tended to be longer and looser. In both the 1960s and 1970s many men and women wore their hair very long and straight.[2] In the 1980s, women pulled back their hair with scrunchies. During the 1980s, punk hairstyles were adopted by some people.

Prehistory and history

Paleolithic

Bronze Age

Ancient history

Roman Empire and Middle Ages

From the time of the Roman Empire[citation needed] until the Middle Ages, most women grew their hair as long as it would naturally grow. It was normally little styled by cutting, as women's hair was tied up on the head and covered on most occasions when outside the home with a snoodkerchief or veil; for an adult woman to wear uncovered and loose hair in the street was often restricted to prostitutes. Braiding and tying the hair was common. In the 16th century, women began to wear their hair in extremely ornate styles, often decorated with pearls, precious stones, ribbons and veils. Women used a technique called "lacing" or "taping," in which cords or ribbons were used to bind the hair around their heads.[11] During this period, most of the hair was braided and hidden under wimples, veils or couvrechefs. In the later half of the 15th century and on into the 16th century a very high hairline on the forehead was considered attractive, and wealthy women frequently plucked out hair at their temples and the napes of their necks, or used depilatory cream to remove it, if it would otherwise be visible at the edges of their hair coverings.[12] Working-class women in this period wore their hair in simple styles.[11]

Early modern history

Male styles

Short hair for fashionable men was a product of the Neoclassical movement. Classically inspired male hair styles included the Bedford Crop, arguably the precursor of most plain modern male styles, which was invented by the radical politician Francis Russell, 5th Duke of Bedford as a protest against a tax on hair powder; he encouraged his frends to adopt it by betting them they would not. Another influential style (or group of styles) was named by the French after the Roman Emperor Titus, from his busts, with hair short and layered but somewhat piled up on the crown, often with restrained quiffs or locks hanging down; variants are familiar from the hair of both Napoleon and George IV of England. The style was supposed to have been introduced by the actor FranƧois-Joseph Talma, who upstaged his wigged co-actors when appearing in productions of works such asVoltaire's Brutus. In 1799 a Parisian fashion magazine reported that even bald men were adopting Titus wigs,[15] and the style was also worn by women, the Journal de Parisreporting in 1802 that "more than half of elegant women were wearing their hair or wig Ć  la Titus."[16]

Female styles

From the 16th to the 19th century, European women's hair became more visible while their hair coverings grew smaller, with both becoming more elaborate, and with hairstyles beginning to include ornamentation such as flowers, ostrich plumes, ropes of pearls, jewels, ribbons and small crafted objects such as replicas of ships and windmills.[11][17] Bound hair was felt to be symbolic of propriety: loosening one's hair was considered immodest and sexual, and sometimes was felt to have supernatural connotations.[18] Red hair was popular, particularly in England during the reign of the red-haired Elizabeth I, and women and aristocratic men used boraxsaltpetersaffron andsulfur powder to dye their hair red, making themselves nauseated and giving themselves headaches and nosebleeds.[9][19] During this period in Spain and Latin cultures, women wore lace mantillas, often worn over a high comb,[11][20] and in Buenos Aires, there developed a fashion for extremely large tortoise-shell hair combs called peinetĆ³n, which could measure up to three feet in height and width, and which are said by historians to have reflected the growing influence of France, rather than Spain, upon Argentinians.[21]

Japan

In the early 1870s, in a shift that historians attribute to the influence of the West,[22] Japanese men began cutting their hair into styles known as jangiri or zangiri (which roughly means "random cropping").[23] During this period, Asian women were still wearing traditional hairstyles held up with combs, pins and sticks crafted from tortoise, metal, wood and other materials,[11] but in the middle 1880s, upper-class Japanese women began pushing back their hair in the Western style (known as sokuhatsu), or adopting Westernized versions of traditional Japanese hairstyles (these were called yakaimaki, or literally, soirĆ©e chignon).[23]

Inter-war years

During the First World War, women around the world started to shift to shorter hairstyles that were easier to manage. In the 1920s women started for the first time to bobshingle and crop their hair, often covering it with small head-hugging cloche hats. In Korea, the bob was called tanbal.[24] Women began marcelling their hair, creating deep waves in it using heated scissor irons. Durable permanent wavingbecame popular also in this period:[25] it was an expensive, uncomfortable and time-consuming process, in which the hair was put in curlersand inserted into a steam or dry heat machine. During the 1930s women began to wear their hair slightly longer, in pageboys, bobs or waves and curls.[10]

Post-war years

After the war, women started to wear their hair in softer, more natural styles. In the early 1950s women's hair was generally curled and worn in a variety of styles and lengths. In the later 1950s, high bouffant and beehive styles, sometimes nicknamed B-52s for their similarity to the bulbous noses of the B-52 Stratofortress bomber, became popular.[27]During this period many women washed and set their hair only once a week, and kept it in place by wearing curlers every night and reteasing and respraying it every morning.[28]In the 1960s, many women began to wear their hair in short modern cuts such as the pixie cut, while in the 1970s, hair tended to be longer and looser. In both the 1960s and 1970s many men and women wore their hair very long and straight.[2] Women straightened their hair through chemical straightening processes, by ironing their hair at home with a clothes iron, or by rolling it up with large empty cans while wet.[29] African-American men and women began wearing their hair naturally (unprocessed) in large Afros, sometimes ornamented with Afro picks made from wood or plastic.[11] By the end of the 1970s the Afro had fallen out of favour among African-Americans, and was being replaced by other natural hairstyles such as corn rows and dreadlocks.[30]

Contemporary hairstyles[

Since the 1970s, women have worn their hair in a wide variety of fairly natural styles. In the 1980s, women pulled back their hair withscrunchies, stretchy ponytail holders made from cloth over fabric bands. Women also often wear glittery ornaments today, as well as claw-style barrettes used to secure ponytails and other upswept or partially upswept hairstyles.[11] Today, women and men can choose from a broad range of hairstyles, but they are still expected to wear their hair in ways that conform to gender norms: in much of the world, men with long hair and women whose hair doesn't appear carefully groomed may face various forms of discrimination, including harassment, social shaming or workplace discrimination.[31] This is somewhat less true of African-American men, who wear their hair in a variety of styles that overlap with those of African-American women, including braids and cornrows fastened with rubber bands and dreadlocks.[32]

Defining factors

Hairstyle process

Length and trimming

Brushing and combing

Drying

Braiding and updos

Curling and Straightening

Industry

Tools

ProductsStyling products aside from shampoo and conditioner are many and varied. Leave-in conditionerconditioning treatmentsmoussegels, lotions, waxes, creams, claysserums, oils, and sprays are used to change the texture or shape of the hair, or to hold it in place in a certain style. Applied properly, most styling products will not damage the hair apart from drying it out; most styling products contain alcohols, which can dissolve oils. Many hair products contain chemicals which can cause build-up, resulting in dull hair or a change in perceived texture.

Wigs

Functional and decorative ornaments

There are many options to adorn and arrange the hair. Hairpins, clasps, barrettes, headbands, ribbons, rubber bands, scrunchies, and combs can be used to achieve a variety of styles. There are also many decorative ornaments that, while they may have clasps to affix them to the hair, are used solely for appearance and do not aid in keeping the hair in place. In India for example, the Gajra (flower garland) is common there are heaps on hairstyles.

Social and cultural implications

Gender

Religion

Marital status

Life transitions

Social class

Historically, working-class people's haircuts have tended to be practical and simple. Working-class men have often shaved their heads or worn their hair close-cropped, and working-class women have typically pulled their hair up and off their faces in simple styles. However, today, working-class people often have more elaborate and fashion-conscious hairstyles than other social classes. Many working-class Mexican men in American cities wear their hair in styles like the Mongolian (shaved except for a tuft of hair at the nape of the neck) or the rat tail (crewcut on top, tuft at the nape), and African-Americans often wear their hair in complex patterns of braids and cornrows, fastened with barrettes and beads, and sometimes including shaved sections or bright colour. Sociologists say these styles are an attempt to express individuality and presence in the face of social denigration and invisibility.[43]

Haircut in space[edit]

See also

Reference


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